Timothy Chow
2024-01-19 14:32:09 UTC
This is an off-topic post because it's about chess, but I know that
Paul at least is interested in chess.
In Round 5 of the ongoing Tata Steel chess tournament, there was a
stunning upset, when the reigning women's world champion, Ju Wenjun,
defeated Alireza Firouzja, one of the world's best players. From a
chess theorist's point of view, one of the most fascinating positions
that arose was the endgame position below.
| | | | | | | | |
| | |p|k| | | | |
| | | | | | |p| |
| | |P| | | | |p|
| | | |P|R| | |P|
| | | |r| | |P| |
| | | | | |K| | |
| | | | | | | | |
https://www.janko.at/Retros/d.php?ff=8/2pk4/6p1/2P4p/3PR2P/3r2P1/5K2/8
This position is an example of what is known as a "mutual zugzwang":
neither player wants to be the one whose turn it is to play. Black to
play loses, but White to play only draws. Endgame specialists have long
known that mutual zugzwang positions are extremely subtle, and John Nunn
would systematically dig them out of endgame tablebases and explore
their ramifications, but they rarely arise in practical play.
In real life, Ju was White, but in the position above, it was Black to
move, and so White was winning. However, if the Black pawn on g6 had
been on g7 instead, then Black could have played g7-g6 and drawn.
Robert Hess and Jovanka Houska were commentating live, and it's quite
something to watch their jaws drop in amazement as they gradually work
out (with engine assistance, of course) the subtle difference between
the Black pawn being on g7 versus g6.
Their analysis is briefly interrupted by the conclusion of a different
game in the tournament, but you should continue listening, because they
come back to the Ju/Firouzja game afterward.
---
Tim Chow
Paul at least is interested in chess.
In Round 5 of the ongoing Tata Steel chess tournament, there was a
stunning upset, when the reigning women's world champion, Ju Wenjun,
defeated Alireza Firouzja, one of the world's best players. From a
chess theorist's point of view, one of the most fascinating positions
that arose was the endgame position below.
| | | | | | | | |
| | |p|k| | | | |
| | | | | | |p| |
| | |P| | | | |p|
| | | |P|R| | |P|
| | | |r| | |P| |
| | | | | |K| | |
| | | | | | | | |
https://www.janko.at/Retros/d.php?ff=8/2pk4/6p1/2P4p/3PR2P/3r2P1/5K2/8
This position is an example of what is known as a "mutual zugzwang":
neither player wants to be the one whose turn it is to play. Black to
play loses, but White to play only draws. Endgame specialists have long
known that mutual zugzwang positions are extremely subtle, and John Nunn
would systematically dig them out of endgame tablebases and explore
their ramifications, but they rarely arise in practical play.
In real life, Ju was White, but in the position above, it was Black to
move, and so White was winning. However, if the Black pawn on g6 had
been on g7 instead, then Black could have played g7-g6 and drawn.
Robert Hess and Jovanka Houska were commentating live, and it's quite
something to watch their jaws drop in amazement as they gradually work
out (with engine assistance, of course) the subtle difference between
the Black pawn being on g7 versus g6.
Their analysis is briefly interrupted by the conclusion of a different
game in the tournament, but you should continue listening, because they
come back to the Ju/Firouzja game afterward.
---
Tim Chow